One time, a long time ago, way back when I first ran away to the mountains, I told my friend Kelle that I kinda wanted to be a buddhist.

That was about fifteen years ago now, I still don’t have an altar or special robes, I’ve never been to any kind of buddhist service or had any kind of traditional training. I don’t really consider myself a buddhist by any formal means, but when pushed, that’s the spiritual title I claim.

The Dalai Lama teased us about the way we Westerners had taken up old-fashioned Asian ritual instruments, clothing, furniture, and decor. He pointed out that this was not the heart of Dharma, but mere culture that had changed in each country throughout the centuries as Buddhism moved from its homeland of India to the Himalayas, Southeast Asia, China, and Japan. He was reminding us once again that the Dharma is timeless and not culture bound. The essential truth of the Dharma, the heart of enlightenment, is not limited by the trappings of culture, language, or time.

“Toward a Western Buddhism and Contemporary Dharma”, Lama Surya Das

 

I think my instruments of Dharma are a pencil, a stack of books, paper without lines, and a good wi-fi connection.

I minored in theology. The study of God. An endless pursuit with no ties to anything but instinct, process, faith.

I still don’t think I’m a Buddhist.

But I do keep starting all over again.

And again.

And again.

And again.

 

::  scheme  ::  STS9  ::

 

 

Do you ever think about your earliest memories?

This is a subject that fascinates me endlessly. We moved a lot when I was a kid, six states and fifteen houses before the age of nine. In second grade alone, I attended three different schools in three different states. Idaho, Utah, and Arizona.

The boundaries of state lines mean little to me, the pepperings of cities and towns inconsequential. I see mountain ranges. Landmarks. Stars. Space.

I know where I am by what I see in the distance. If everything is too close up, I get lost. If I can’t see the mountains, I quickly become disoriented, especially at night. I start to pace, fidget. Feelings of panic bubble and fester, inexplicably it seems until I move closer to the skyline.

Up.

Higher.

Away.

I like that on our morning commute, the snakes of concrete drop down into the belly of Tempe Town Lake, a man-made monstrosity in the middle of the desert landscape.

But water is water, so I don’t complain.

Every day, this little bay serves as my compass. Choppy and disruptive. Smooth like glass. Slow and serene. Dark. Turbulent. Reflections of aquamarine. Water in captivity is interesting to observe.

I remember when we first moved to Phoenix. I remember wondering when we would leave. It was weird here. Hot. Everything was brown. Walking barefoot outside resulted in blisters. Every yard came complete with a six foot high cinder block fence.

I struggle with my own perceptions of this place. The place I knew before and the one I’m getting to know now.

I’m starting to forget what it used to look like.

The bridge in that picture used to stand over an empty wash. Kids lived under it. They would roam the streets begging for money, piercing themselves with pins and begging for change, adorning themselves with scraps of plaid and black. I can’t remember if this particular one is the bridge that collapsed during monsoons one year.

It’s weird to watch my children adapt to the city. To share these things with them.

It’s so different from where I thought we would be.

But strangely on track.

I know I’m trapped in my ego right now. That everything around me is an illusion and the answer is right in front of my face. So close, I can’t see it. The lines and boundaries are blurred.

All I know is that I know I’m ok. In fact? I feel outrageously good.

It’s kind of hard to get used to.

 

 

The first time I met Ernie Pepion, he was naked.

His bed was covered in sheepskins. Not because he was particularly sexy (though he would beg to differ), but because his circulation was poor and the sheepskins made the best padding. Bad circulation is a common trait of those with quadriplegia–any pressure on the skin causes bedsores.

I remember walking into his front door in the low income apartments on Grand Avenue, seeing him comfortably splayed on his belly like a misplaced playboy across white linens. The room was sunny and warm, as was he. Earnest. Polite. His name, as it stood on the plaque on the wall…Earnest Polite Pepion. I quickly learned that he was recovering from a long weekend in Vegas, his raw and wounded backside the result of a negligent caretaker.

The sores on his ass were the size of salad plates, carefully tended and dressed.

On that first day, I had to jump right in. Not an easy feat for someone who had always been exceptionally squeamish about blood and shit, but ya’ll know how I get about overcoming fear. Just do it. He chatted easily, laughed, pulled from a vast collection of jokes. He was difficult to understand, thanks to ill fitting dentures and a good healthy buzz, but engaging nonetheless.

He liked Johnny Cash. He was an old cowboy. He served two tours in Vietnam. Were he not in a fixed seated position, he would have been very, very tall. A good dancer, I’m sure.

These were things I knew within ten minutes of meeting him. He knew things about me too, how my mother was an artist and I aspired to be one as well, that I liked to drink, and I had no problem flirting mercilessly with old men.

We were instant friends.

For me, there’s no way to talk about volition, will, and the demonstration of personal power without talking about Ernie Pepion. It’s hard to even know where to begin, in fact.

 

 

One weekend in July, a hundred years ago it seems, Ernie and I found ourselves looking over the landscape up on his brother’s ranch near Browning, Montana. A place that looked to him the way this place looks to me. There are views held on this earth that are sacred simply out of connection, history. The place that feels like home, or maybe just the direction that points the way.

I asked if they’d teach me to ride, they said yes. Dale, his brother, disappeared for awhile after breakfast to saddle up the horses.

Well…

the horse.

Lemme tell ya … there’s not much that will drop kick your heart quicker than being an inexperienced rider who’s standing in front of a big ass horse, saddled up and ready to ride. Solo. One horse.

“Yeah. Hey. Ernie? I don’t know how to ride.”

“You’ll figure it out.”

I stared at him solid, this man who had broken his back in two places, while he swigged off of his modified coffee mug, smiled, and simply said,

“Saddle up.”

So I did.

Now I don’t know how much you know about horses, but allow me to tell you how much time it takes one to ascertain exactly how experienced you are.

About ten seconds.

Ten seconds into the view. Ten seconds of me, alone, jostling cautiously in the vast and rolling distance of the Northwestern Montana hills. A place where white girls are rarely met with anything less than brute hostility. I sat on top of a big black horse who, they assured me, was in a pretty good mood that day.  I can’t remember what he was called. I think it might have been Asshole because that’s what I yelled when he broke into a canter and leapt over a creek.

Yeah, he totally jumped it. And I almost fell.

I felt my body jar and two options came into view as I shifted back into place. I could fall off this horse or I could engage and take charge.

The rest became instinct. The weight of my body shifted, moved forward on my hips as I leaned into this massive animal’s center of gravity. Instantly, his warmth and breath came in tune with the motions of muscles encompassed by my legs. I gripped the reins like I meant it. There was no other choice.

Our surroundings were crystal clear. Instantly. Rocks. The wind. The way the clouds hung low over the ridge of the green, green grass on the mountainside.

Repetitions of stories my uncle told of his most prized-yet-spirited hunting companion surfaced quickly — make him stop. Back him up. Turn in a circle. Right, then left. Then move forward, take charge, lean in and feel the strength, the energy, the force beneath.  Direct it. Do it. Either work with it, fall, or get down and give up. That was the choice.

 

Back to Chakras

When you feel your stomach drop, that’s your third chakra. That pit of butterflies means you’re losing power. The sinking feeling in your gut. The way your insides leap to your throat when you nearly fall off a horse, alone in the middle of the Reservation.

When your third chakra is in tune and balanced, you feel powerful, transformed. This is your epicenter of confidence and vitality. The part that makes you feel like you can do anything.

 

And Back to Girls

I know it’s been awhile, so I’ll remind you:  the reason your girl does yoga is to center herself. To find balance. To create kindness within, to make room for acceptance of mistakes. If she isn’t centered, she’s finding the power from outside. She’s letting the horse drive, so to speak. Since we live in a culture that encourages passivity and taking a personal hit in the name of cooperation, this can be a tough one to overcome.

Women are taught to allow men to lead them. To obey their every whim, chase impossibilities of perfection both physically and emotionally. Some men prey on this vulnerability. Demand too much without reciprocation. And some women think this is what men want.

What’s the image that comes to mind when you think of enjoying a woman dance?

Pause.

Think.

Was she dancing alone? And was she taking off her clothes?

Get to the mat.

Strong women need strong partners. It’s why I like old cowboys. They took the time to learn how to dance (stick with it until 1:31, you’ll like it).

They know how to lead a woman right.

To move with strength, direction, a solid place to land. Old cowboys (and I’ve met old cowboys who are 25 – it has nothing to do with experience or age) intuitively know how to put a woman on display in a way that brings out the deepest of her beauty. There’s no substitute for that.

 

Imbalances of the Third Chakra

You know what a horse likes to do when it’s not being put to use?

It likes to eat.

This one’s easy. You can literally see the relationship a person has with their third chakra. Round in the middle? Looking for power outside of herself. Obsessive about a six pack or every little thing she eats? Watch for her to inflict her will on you. That’s right. Control you.

 

Simple Meditations for Dudes

Do sit ups.

Sun Salutations – every single day. Not tough enough? Throw some push-ups in there.

Breath of Fire

 

Yoga With Your Girl

Dance with her. With her.

Bust out with a horseback ride.

Yee haw, ya’ll.

 

So this is pretty much what the Kindle book will be like. You know, the one I’m writing? Yeah, that one.

Sign up here before I’m done with the series to get a free copy, yo.

 

 

 

 

 

 

So now that we’re getting settled in a little bit, finding our grooves, tracing the lines of new life into patterns and rhythm, it’s time to find a library. The fun part about living in a city is that there plenty to choose from, but I gotta say the library in Bozeman will be pretty tough to beat.

 

Since discovering the wonders of sequins and fluffy hemlines, my girl has become quite the fashionista. It’s actually kinda fun. Originally, I had donned my usual flip-flops and jeans for our jaunt, but Anna stepped in and said no way.

“You have to wear your princess shoes, mama. Like me.”

And since there is no snow here, no ice to worry about, you can’t actually walk at any length because the whole city is so spread out (no fret about blisters), I gave her a smile and changed my kicks. Why not? It’s fun.

This tiny bit of information will become very important later.

 

 

The Burton Barr Library in downtown Phoenix came highly recommended by friends who swore it was fun and that we would love it there.

These are friends who are apparently unfamiliar with my irrational fear of a large enclosed space.

 

So that’s six stories tall, everything is metal, and the elevators are glass.  It’s cool and futuristic, and I got through this part ok. I appreciate the architecture, the concept, all that crap, but it makes my heart beat uncomfortably fast nonetheless.

 

And then there were the stairs.

You know the kind with spaces in between steps? Yeah. Those. Terrified of those.

Especially when chasing two very eager children who haven’t seen a library in ages, especially while wearing five inch high princess kicks.

 

 

Yeah. Irrational. Don’t judge me.

Sooooo…there was one super cool part.

 

I’m hearing good things about the libraries in Scottsdale. Think we’ll give those a shot.

 

You know …  this round, I’m gonna let Carrie take the wheel.

Play dj. Drive. Pick the destination. Get us there.

Me? I’m gonna stare out the window and rest.

Enjoy the landscape. Maybe sleep.

Because I can.

Playlist.

Buy something pretty for yo-self.

 

So there were a bunch of busted old chairs up at Black Canyon City Dog Track…

 

 

and somehow these two ended up in the back of my truck. Very mysterious.

 

 

I’d also like to see if I can make something cool out of these crappy little things.  They’re the washers from the rails of the track. If you look close, you can see them here. And that’s a close-up of here.

Quickie post, I know. Spent my mojo this morning digging back into some unfinished business.

Hangin’ with it Monday through Friday, ya’ll. Even if it’s just crap for awhile.

 

23. April 2012 · 2 comments · Categories: just me

A super random smattering of everything I am, starting….now:

I knew the return to Phoenix would be pathetically symbolic…the legend of the bird who burns and rises from the ashes?

Yep. Pretty much.

Along the journey from there to here, I’ve looked for symbols of the path. This road, uncharted, is the kind of thing that’s birthed in story I guess. I know that others have been here and that it’s possible to survive. There has never been any question about that.

But holy shit, is it hard.

There’s this strange distance that emerges inside of yourself while you watch your whole life fall apart. I suppose, symbolically speaking, it’s the eruption of flame. The awareness of it creeping toward feathers as it blows through the nest.  Like a nightmare, there’s a strange fascination of the heat, the consumption, an intense desire to run but remain in place.

It’s taken a long time, a lot of process, and a big chunk of my life to work through this. I think of words like Awakening but that’s totally not it.

I don’t know what it is.

I find my answers in unexpected places. On the side of the road under a moody sky.

On this day there were vultures. About 25? Above my head they circled, responded while I scavenged and rooted and scraped.

It was my first time going anywhere near the mountains again. The first time since I left.

 

Here, at this place. Black Canyon City Dog Track. An old abandoned chunk of Arizona history with hefty ties to the mob, the early rave scene, and now the explorations of urban decay.

It’s cool to watch Nature move on in and push Man aside.

 

 

I’m not sure what it is about places like this. Maybe I just needed the company of abandoned space. The connection to a thing that could somehow encapsulate how I feel about where I stand at this moment in time. Because this is it. This is what the ruins look like. Eerily beautiful. Fascinating. Dangerous and a little bit gross.

 

I don’t even know how to describe it. This isn’t the kind of thing I can necessarily curate the way I like. I’m feeling smashed up by perfection lately (hence the disappearing act), and it’s time to just let go. Just be here. Push this strangeness out into the world and trust the process.

I know where I am now.

I’m standing in the core.

 

A place of hefty realizations (look! plateaus!) a strange sense of quiet, and the presence of slow, solid, progressive movements of time.

 

I can’t write like I want to every day. I see this now. That opportunity has passed and been traded in for something else. There’s a balance of so much MORE happening in this new life, along with a massive transition to fully work through.

But fear not. I’ve got a plan. It’s just taking a little while to assimilate.

What was I talking about? Birds.

So I look up and see these birds…literally circling across the sky. Vultures. And they’re huge.

Don’t be scared.

Vultures are the ones that come to clean the mess. They work quickly, efficiently, and have indomitable strength.

We were mesmerized by each other. They sat, and they watched, and they invited friends. It was a bummer that my battery died, but there were actually five of them sitting up here.

 

And five is the point right smack dab in the middle, if we’re speakin’ numerology–which I do.

When you let go of that which no longer serves you, which you no longer serve, a lot of your core foundations begin to crack. Moving to Phoenix, at many points in my life, would have been considered my worst nightmare. Today, in this space, in this weird transition of thoughts, I’ve begun to realize that Phoenix has very little to do with it at all.

There’s a lot of thoughts coming up about this, my friends. Today is just me stepping back in, and this time, I think it’s for good.

So here’s the plan: you may have noticed I’ve started taking sponsors. I was always hesitant to do this until I found my homie Laura, who really does it right. You know what I come up with will be in my own style, but she’s the inspiration behind some new forms of expression on the rise. And yes, I say with complete giddiness…it’s all about the clothes. Because I do love me some clothes.

Because you can totally be deep and philosophical and stuff and still look super cute. Dig? Dig.

There are so many thoughts spinning in my head….the differences in living in a mode of scarcity vs. abundance, putting yourself in the path of opportunity even if it’s not what you want…see what I mean? It’s just too much.

But that’s ok. Today is just about showing up. Being here, imperfect and real. Walking back in to this space.

Sayin’ hey.

So yeah, that’s what I’m up to I guess. Just trying to figure out how to get all these tones of myself to coordinate and match. Or at least work well together somehow.

It’s confusing.

Here, look at something pretty:

I thought, when I took this picture, that it was somehow representative of my process of the last few months. That it’s the door I have to go through or something to that effect.

I realized, upon further reflection, that inside that door is a fence.

And what this is, this image, this representation, is actually the place where I’ve been. The hallway. The dark. And now I’m standing on the other side.

With my perfections and curations standing down, at rest for today, I simply say

hi.

And thanks.