Moving to Montana all those lifetimes ago was one of the best decisions I ever made. It was hard and turbulent and it threw my entire life off kilter for sure. I spent years unwinding myself from the impact of fences and concrete. I spent years tying myself back up in knots and arrest records. I became a mother. I became a survivor.

And one day, I left.

I’m going home this weekend. To visit, to tie up some strings. The inaugural return on an unquiet hero’s path.

While I’ve been gone, our family cabin burned to the ground in a forest fire. An integral piece of our family glue for forty years, this place.

The structure, gone. The trees, dead. Mostly. A hot flash of fire and smoke and history is erased. The land rich in green becomes bare and silent. Grey.

Yet history, in its serpentine way, continues. Sheds its skin. Holds form and foundation despite the loss of surface.

Weird things remain. Bones. Scraps. Water. The remnants of trees. Graveyards of dogs. A fenceline. The sun.

The moon.

The earth.

The wind.

Do we mourn this? Mourning is for some, I suppose.

Not for me.

For me, this is Montana. My heart. My home. The vast expanses of earth and motion and stillness, all rolled up into one.

She hears me. She knows how hard this is.

So She joined me. She threw it all away and She came with in the only way She could. By walking through the fire.

Side by side.

Because She’s mine.

01. October 2012 · Comments Off · Categories: arizona, just me, phoenix

They say nothing changes here but that is not true. The weather patterns have changed. The cityscape has changed. The overall feel and sprawled sense of placelessness has not changed. Not a bit.

I have found home.

And it’s not what you think.

You’ve probably seen these great walls of dust on the news, the calamity they cause as they bear down on the desert. It’s a storm system that’s now part of monsoons, called a haboob.

They look terrifying.

People tend to hide indoors.

I was leery, at first. Listening to the dramatic expressions of caution and fret.

“Be careful.”

“Stay safe.”

“Try not to get caught in that.”

This is what they look like inside.

It’s just dust.

And wind.

And that’s it.

When you move through cloaks of curious, places where you can’t see where you intend to get, you can be careful. You can be safe. You can pull to the side and wait for the discomfort to pass, tell the tale.

Or you can push forward.

Keep going.

Become a part of what it is rather than sit aside and watch quietly.

There are times when I fall under the cracks, disappear for some time, abandon all but motherhood and instinct.

Watch the road unfold ten feet at a time. Delve deeply into the moments of uncertainty and the sense of being lost.

Resurface.

Unfold.

Begin again.

 

29. August 2012 · Comments Off · Categories: how to change your mind, just me

The countdown is on for moving to our new abode. I feel like I’ve been waiting in this space for eternity, diligently unfolding each step as it comes.

I know it’s just an apartment. But it’s an apartment that I chose. In the part of the city where I always wanted to live, where I hung out and spent most of my time. It’s easy to travel light in Tempe, with the light rail a half mile away, bus systems aplenty, and everything within reach by bike. Phoenix is the epitome of urban sprawl, so finding a spot that can suit our swing like this is a tall order indeed.

But I found it. Cheap. And there’s a pool.

Sitting in the space of rest is difficult for me. I prefer action, motion, moving in haste. I’m learning, with the grace of wisdom, that there are times when it’s best to hunker down in the discomfort. To sit and be still.

I’m not gonna lie.

I hate it.

The alternative however is drama, the unnecessary toppling of events. So I stare out the window. Take note of the small details of life. Hang tight. Let the storm pass. Allow the growth to come to fruition like a babe in the womb.

for frustration

for boredom

for the bridge between old and new

25. August 2012 · Comments Off · Categories: damn hippies, just me

The morning after a heavy rain. Cool, soft, the humidity welcome on dry skin. They ran outside, sensing the calm of the day. When we lived in a place called home, they chased ladybugs. Here they quickly pick up on the patterns of snails. Sensing the life that comes after the rain.

It was a mad dash, the portal to the outdoors open wide. Nico is big enough now to listen, to follow direction and correct himself if expectation misses its mark.

“Grab that big shell for your snails, dude. The one by my desk.”

Too much complication to explain the location of a jar.

They go to Christian preschool, the kids. The boon of a scholarship and kindness, a miracle in and of itself if you’ve priced childcare these days. We claim no stake to religious preference. Fear makes it interesting.

But I’m not afraid of Jesus.

Christ Consciousness.

Fourth Chakra.

The shadows of sin.

This is the place where we leap across the gap.

I was taught to use an abalone shell for smudging. This is one of my tools, this shell, the traditions and ritual given to me by my mother when I came back from Montana to nurse heartbreak. I’ve been here before. I’ve done this before. Only this time, it’s me. Not her. This is the place to mourn, to heal. The mountains of grief stand strong in sunlight, clearing, purifying beneath a ubiquitous moon. Wearing down. Exposing earth. Starting again.

Do I allow these things to be touched? Desecrate them with snails and rocks and bits of trees?

You bet I do.

These sacred things.

The work is to fill them, surround them, embrace them with aspects of a sacred life. Sometimes I become invisibly dyslexic, move the consonants around ’til they shift into scared. It can take awhile to move them back, but the flaw of misguided meaning is far too much to bear.

These things, to me, are sacred.

The choice to remain without ties, without category, without place is a sacred act. By releasing the parts, the wholeness appears as itself.

My life, I remember, is sacred.

Just as you are sacred.

So come and sit real quick.

 

They’re pigeon feathers, found in the yard. White sage. Whatever we have. Small fingers prying into earth for life, taking the breath of tiny leaves to shore up into their own. These things become them, just as riversides and ocean tides became me. We give the words of our hearts slowly while we figure it out.

I hold the flame.

Nothing out of ceremony, they’re small. They’ll burn themselves. Fire claims a lot of responsibility, understanding, the ability to be quick on your feet.

Nothing romantic about this stash of sage, just bits broken and left to die down from a smudge stick. We do this everyday. Burn things. Offer our prayers to the sky. Jesus. Earth. Words. We have no motives, only thanks.

We talk about how God likes the smell. How it means thank you. How sometimes you have to say things in different ways so they are easy to understand. Like how some friends speak Spanish or Chinese or French, how some people don’t use words at all. They use motions. Pictures.

This happens quickly.

One moment. Maybe two.

They embrace, love, touch. Dive deep into the understanding, sit back, reflect. The simplicity is what feeds them. How somehow the answer can always be yes.

Then they’re right back at life.

It’s so beautiful it hurts.

I have a weird thing about hair. I don’t know if it’s derived from a lifetime of living in imagination, or maybe a hefty dose of growing up in the influence of the mystical Southwest, but there’s a thing I have about hair and it’s potent.

One of the things that amazed me about leaving AZ was the difference in the way Native Americans are treated. Down here the culture is strong and alive, a bevy of balance found in numbers and solidity. There is respect. The culture permeates everyday life, beliefs intermingling and open as long as you’re not an asshole. It’s not perfect by any means, but it’s definitely not quite as … tragic.

I missed the quiet language of symbols that exists beneath the words spoken here. The watchful attention on subtle cues, an unspoken agreement of signs and motions and permeations of truth. White people are too busy in critique and conquest to take note, it seems. I find who I am in the rainbows of skin that co-exist in a place like this. Much easier to communicate.

Hair in Navajo culture is a symbol of power. In the old tradition, when a man cheats on his woman, she cuts off all of her hair. Stands in a space of blankness. This is a process I’ve worked through many a time in my days, the shearing of my hair. Not necessarily about cheating but always about power.

The way I give my power over to men.

The first time I shaved my head was when I left the city and ran off for the hills. I had hair down to my ass in those days, though it was tangled and snarly and wild most of the time. Always red. Learning to live without such an obvious token of femininity was difficult. Shocking, in fact. I had no idea how much a shift in appearance could alter my life.

It’s just hair, after all. And it isn’t.

I have a lot to say about that. The process of stepping into invisibility. But not right now.

All I have to say today is that my hair has been short for a long time now, ya’ll.

And I’m ready to claim it back.

10. August 2012 · Comments Off · Categories: just me

languid open stretch shifting soft into blue

dive rise repeat

 

The creation, unfolding, and process of creating art asks for a certain delicacy of space. It’s certain to say that we have all understood harshly the realms of critique, the push of go, the faces as they fall away from the embrace of solitude. This is a life that is asked for often and abandoned more. Listen.

Art is work.

It is uncomfortable. Broken. Stuck in chasms of emotional discourage. The work is the movement it takes to push through. To give birth. To walk through thick bushes with machete dropped and eyes closed, blind to all external light.

 

 

One of my favorite things my mom has always been very diligent about is the need for a safe creative/mental space. She’s both an artist and a chemical engineer, which makes for some interesting perspectives on the world at large. She knows the feeling of mental overwhelm, knows to direct the compounded energy into a safe space. When my brother was working toward his engineering degree, she advised him to take a few creative classes in the mix of all the technical crunch. He learned to play guitar, started drawing. The oasis of no-pressure served as balance for an intense curriculum and helped keep him sane.

 

Source: ellarobinson.com via Peaceful on Pinterest

During our moves and transitions, I’ve had to put so much aside. I look at my spinning wheel like a dog that hasn’t been on a walk, shake my head and sigh while responsibility and the ever-present something-else grabs a toehold first. For a long time, I kept trying to pick back up where I left off. Like, if I could just get back to spinning yarn or if I could just sit my ass down at the sewing machine, maybe I could pick up the pieces and re-work the puzzle.

Art doesn’t work like that.

The puzzle is in continual evolution. It’s more like monkey bars than pull-ups. When you push, continue to walk down the path, embrace the drive of direction, you inevitably end up in a different place.

For some time now, I have wondered where my work would surface. How I can create the tangible symbols that feed both my soul and my kids. How do I merge all the pieces? How do I perform the alchemy for my passions, my faith, incorporate the directions of mastery that sit restless on the shelf?

What is my expression?

What is unique to me?

 

 

As it turns out, the rainbows, the feathers of the tail, the directions, the skill…

 

the history, the way I see things, the culmination of courage and faith…

Source: etsy.com via Peaceful on Pinterest

 

It’s nothing new. It’s always been there. It’s simple and circular and deep, deep in depth. It’s everything I know. Every place I’ve been. Everywhere I want to be.

The work of this journey is unfolding, these images are the map. The circle, the earth, the sky, the color of belief…it appears I may have it in me to be a weaver after all.