Archive for November 13, 2008

the great de-stash

hpim2068

I’ve been getting rid of clutter in our house for what seems like an eternity now. It seems that the process has settled into a little rhythm: a whirlwind of stuff flying out the door followed by a couple of weeks of peace, and then a gradual creeping of more clutter followed by another whirlwind of stuff flying out the door. According to the principles of feng shui, it is said that clutter is like a magnet and once it starts to pile up objects just gravitate to those spots. Is that ever true around here.

What I’ve begun to learn from this process is a) I have way too much stuff; b) letting go of things I’ve had for a number of years can be pretty gut-wrenching; c) we don’t have enough closets; and d) the more I get rid of the more comfortable I feel in my own skin. And I suddenly get very productive too.

My fabric stash has been hit pretty hard with this whole process. I’ve already unloaded five huge bags that I finally decided that I just won’t use and there’s still a ton in my studio. I stare at it, loving it, but seriously debating what I would actually want to use it for.

So out it goes. Pictured above is the first round of some of my favorite fabrics that I’m doing away with. I can’t bear to just give it away this time though so I’m whipping up another batch of grocery bags for the shop. I’ve actually had a number of requests for these over the last couple of weeks (gifts for the holidays!) so here they come…once I find the pattern…which I saw somewhere last week, I swear. And this time they’ll have a little pocket on the front too because, well, pockets are pretty handy.

I must admit as I look at some of the ’60s florals I sigh with a little bit of heartbreak. I remind myself to be brave, don’t fear the future, and let it go. And let it find its way to you so that you may enjoy as much as I have.

Whew. On a completely different topic, here are some legwarmers that will be up for grabs when I update the shop later this week:

hpim2071

May you be well, may you be happy.

speaking of birds…

Just wanted to share the final version of the custom headband I have been working on:

hpim20371

The beadwork on the peacock is all done in glass and the accents on the flowers are mother of pearl.  The edging is hand crocheted with an alpaca / peruvian wool blend so it’s soft as soft can be.

My favorite part about this headband?  Everything.

How to Cook Up the Best Turkey Ever. Really.

hpim2029Here’s my perfect little turkey.

We cook a turkey once a year. This makes it pretty tough to learn from our mistakes and tweak our technique, because by the time turkey time rolls around again I’ve completely forgotten what we even did the previous year. This is worse now that I have lived in a constant state of sleep deprivation for almost two years. What to do?

Step One: Ask Santa for this cookbook:

hpim2042

It rules.

Step Two: Do everything that she says.

Maybe it’s the Virgo in me, but I absolutely love how Pam Anderson’s cookbooks go into great detail about how she arrived at the point of perfection. She goes on for pages explaining what worked, what didn’t work, methods that she tried, ingredients that she used, ah…it makes my heart go pitter pat.

I won’t go into all of the detail of how she arrived at the perfect turkey, but I will share the process that we use to make it happen. Of course we start with a good 10-12 hour brine (integral if you are using a frozen turkey but not so important if your bird is fresh). Then it’s off to the races.

There is a pretty major problem in the world of turkey cooking: in order to get the dark meat up to temp (165 degrees) the white meat suffers scorching temperatures that render it completely dry and overcooked. The solution? Cook your turkey upside down. Seriously. But just for a little while.

Now there are two different methods of using this technique–it depends on the size of the bird you are cooking.

For a 12-14 pound turkey:

Preheat oven to 400 degrees.

Stuff the cavity of the bird with one chopped onion, a chopped carrot, a chopped celery stalk, and two sprigs of fresh thyme along with one tablespoon of butter. Truss turkey if desired.

Scatter the same amount of chopped vegetables in the pan around the turkey and pour one cup of water into the bottom of the pan. (This technique calls for placing the bird on a V-rack.) Place turkey breast side down on the rack. Brush the turkey with 2 Tablespoons of melted butter.

Roast for 45 minutes. Remove pan from oven, close the oven door, and baste turkey with butter. With a whole lot of paper towels in each hand, turn the turkey leg/thigh side up (there is just no graceful way to do this–just go for it and try not to drop the turkey). If water has evaporated, add 1/2 cup more to the pan. Return turkey to oven and roast for 20 minutes. Remove from oven, baste and reuse paper towels to turn the other leg/thigh side right side up. Roast for 20 minutes more. Remove turkey from the oven a final time, baste and turn it breast side up. Roast until a meat thermometer stuck in the leg pit registers 170-175 degrees (30-45 minutes more). Breast temp should register 160-165 degrees. Transfer turkey to a platter and let it rest for 20-30 minutes before carving.

For an 18-22 pound turkey:

It’s pretty much impossible for a large turkey to fit in the oven sideways, so the technique for big birds is a little different. The high temperature will also overcook the bird, so it’s necessary to make some alterations.

Preheat oven to 250 degrees.

Roast turkey, breast side down, for three hours, basting back side every hour or so with butter and adding a bit of water to the vegetables if they look dry. Remove pan from oven, close oven door and baste turkey with butter. With a whole lot of paper towels in each hand, turn the turkey breast side up. Continue to roast for one hour, basting once or twice. With turkey still in oven, increase oven temperature to 400 degrees and roast until skin has browned and a meat thermometer stuck in the leg pit registers 170-175 degrees, about one hour more. Breast should be 160-165 degrees. Transfer turkey to a platter and let rest for 20 to 30 minutes before carving.

NOTE: We make giblet gravy and just use a couple of tablespoons of drippings from the pan. We brine our turkeys so gravy made from drippings alone would be too salty.

So go for it–be brave. Your company will be thoroughly entertained with the whole process and they will be absolutely delighted with how freaking amazing your turkey tastes. Happy Turkey (or Tofurkey) Day!!

oh, my.

hpim2024

Another benefit to having a mama who is an artist?  She spins up some crazy yarn.  I’ll be making a hat for the Etsy FAST December Challenge (a teamwork theme) with this little bundle.

Or maybe I’ll keep it for myself.  It sure is purty, isn’t it?

a little of this, a little of that

So I’ve taken up knitting.  A skill that I’ve been wanting to learn for as long as I can remember has finally been added to my repetoire.  I bought the book Weekend Knitting by Melanie Falick about five years ago and I’m happy to say that I’m tackling my first project from its pages:

hpim1972

And yes, normally I am opposed to the idea of legwarmers that make your legs look like sausages encased in yarn.  The sad reality of legwarmers is that unless you’re six feet tall and weigh about 135 pounds they just look terrible.  As a gal with an athletic build, the world of legwarmers was just out of reach until I created my own design.  The difference with these~I’m hoping~is that they’re really trim and will fit under a pair of jeans pretty easily like a pair of super warm knee highs.  So far I’ve made a couple of alterations (mostly due to my guage being completely off) so I’ll play show and tell again when they’re finished.

So of course now that I knit and crochet*, I need a pretty little case for all of this equipment.  A needle and hook bag is in the planning stages, featuring some of the silk brocade that my mama brought back from China:

hpim1989

Things in The Shop have been pretty slow during the past week because the boy finally started crawling at the ripe old age of fourteen months!  Needless to say I’ve been spending a lot of extra time with him, digging him out of off limits areas and reassuring his efforts to explore the big new world that has opened up to his eyes. 

I did manage to get four pairs of non-sausagey legwarmers cut out:

hpim1993

And I’ve been designing  custom headband (which is still in the works):

hpim1988

It amazes me how much I’m actually getting done even when I think I’m getting nothing done.  Hopefully I’ll have some finished items ready to list by the end of the week!

*A little tip:  if you have been working with crochet for a number of years and decide to pick up knitting, go for the Continental style.  You hold the yarn in your left hand that way (just like crochet) and it seems to be a whole lot easier to navigate while learning.  Knitting American style was making me want to throw things and I kept holding the yarn in my left hand anyway.  Ignore your teacher’s corrections:  knit Continental.

Someone You Should Know

I think it’s time to start telling you about my friend Ernie.

Ernie was a man that I had the solid, good fortune of spending about a year getting to know when I worked as one of his personal care attendants.  In a nutshell, Ernie was an artist, a Blackfeet Indian, a collector of jokes, and a patient and devoted teacher.  He was also quadrapalegic.  I’m not going to get into a lot of detail about him today–there’s just so much to say about him that we’ll just consider this the introduction of a very long tale.

For some basic background, Ernie was born on the Blackfeet Reservation in Montana in 1943.  Though he survived two tours of duty in Vietnam without incident, it was a car accident that caused the injury to his spinal cord that sentenced him to a lifetime in a wheelchair.  It was during his recovery in a VA hospital that Ernie met Bill, a man whose fate was much worse than Ernie’s.  Bill lived in an iron lung.  Ernie always said it was pretty tough to feel sorry for yourself when the guy next to you was only allowed out in “the real world” for an hour each day.

During this hour of freedom, Bill would paint.

And it was Bill who introduced Ernie to the world of art.  Ernie was fortunate to have lateral movement of his arms (he could move them side to side) which granted him a substantial amount of freedom despite his injury.  He also had one of the most positive and relaxed approaches to life that I’ve ever witnessed.  To skip ahead a few years, Ernie obtained both his Bachelors of Fine Arts and his Masters of Fine Arts from Montana State University.  His journey into art is the type of thing that legends are born from, and I can assure you that he deserves the honor of being called a Master.

Ernie always had a way of looking at the world from every angle–he had to.  In order to create his oil paintings, Ernie used an easel (specially designed for him by the MSU engineering department) that rotated 360 degrees.  This meant that not only could this quadrapalegic man paint, he could paint sideways and upside down.  And they weren’t small paintings–in his prime he was painting pieces that measured up to 10 feet by 8 feet.  When I saw them they were casually stacked against a wall in his humble low income apartment off of Grand Avenue.  When most people saw them they were hung with honor on the walls of prestigious galleries in North America, Europe, and Japan.

After some searching, I was able to find one of the paintings from his Red Man series:

epepionb

This piece is called Buffalo Hunter and measures 47″x52″.  A lot of the inspiration for Ernie’s artwork came to him in dreams, a means of communication that I believe he still uses.  The subject matter of his work always let his sense of humor shine through, as you can see from the wooden horse between his legs.  As Ernie would say, “Because every cowboy needs a horse.”  Ernie died in January of 2005 after returning to his native Blackfeet home.

And that’s a short history of the life of Ernie Pepion.  I always promised him that we’d write a book about his life and I’d like to think of this as the beginning of that process.  So cheers, Ernie.  Have a Bud Light for me.

…and one for me.

hpim1964

 

I’ve been working on a signature peacock feather design and I think I’ve come pretty close. 

So sorry kids, this headband’s staying right here with me.

Not only does it feature a new motif, I’m picking up a new skill for the bordering yarn:

hpim1966

 

Wish me luck!